Japan’s Disposable Homes

Found this interesting, after seeing Muji’s beautiful prefab homes, and all the eccentric residential architecture that comes out of Japan.

“IN THE UNITED STATES, people buy homes as an investment. […] Not so in Japan […]

Since few Japanese homeowners plan to sell the home and flip it for profit, there’s little incentive to maintain the house. “This whole DIY concept that’s super popular here [in the U.S.]—you have TV shows devoted to it, you have Home Depot and Lowe’s and all these things that are devoted to building equity in your home—none of that exists in Japan,””

Link: Pacific Standard

“It turns out that half of all homes in Japan are demolished within 38 years — compared to 100 years in the U.S. There is virtually no market for pre-owned homes in Japan, and 60 percent of all homes were built after 1980. In Yoshida’s estimation, while land continues to hold value, physical homes become worthless within 30 years. Other studies have shown this to happen in as little as 15 years.”

Link: Freakonomics

Historian Himself

Animistic fantasy hip hop? With dinosaurs? It all goes together surprisingly well. This guy’s creativity is off the charts – indie video production and home-made creature costumes… How does this only have 11,000 views on Youtube? More of Historian Himself’s work below.

More on Youtube. Web.

Video

Scott Walker + Sunn O))) – Brando – Film by Gisèle Vienne

Filmmaker Magazine writes:

Accompanying the first track of the anticipated collaboration, Soused, between avant-garde crooner Scott Walker and sludgy noisemeisters Sunn O))) is an arresting short film by French director and choreographer Gisèle Vienne. Walker’s music — with or without Sunn O))) — is the stuff of waking nightmares, and Vienne’s dream-like film matches it fuzzed-out chord by fuzzed-out chord. A house in the mountains, a blonde-tressed woman moving in slow-motion epilepsy; a teenage boy (her son?) locked in tremulous horror; a car crash?; and a sudden appearance by French novelist, theater artist and dominatrix Catherine Robbe-Grillet… it’s eerie, disquieting, and, with its narrative elisions, entirely hypnotic.

Additionally: NYT article on the album, focusing on Scott Walker. Red Bull Music Academy “lecture” with Stephen O’Malley from Sunn O))).

Quote from the NYT piece:

“Once a romantic hero, then an existential one — blond, narrow-hipped, unsmiling behind sunglasses — Mr. Walker no longer has a stage persona. He hasn’t performed in public since a television appearance in 1995, and hasn’t played a concert since 1978. Whatever his music is now, it’s not pop. He’s a composer who happens to use his voice, a semi-operatic baritone pushed to high and quivering extremes, as an instrument to serve his meticulous texts, which on the new album, “Soused,” include words like “bliaut” — a 12th-century European overgarment — and “bescumber.” (Look it up.) And maybe something else: a maker of abstract dramas with tones as characters. His work demands that you come more than halfway toward his isolation, his need to do things differently, and perhaps his story of turning from light to dark.

I would argue that “Soused,” which comes out Oct. 20 on the 4AD label, might be the first music Scott Walker has made in a very long time — maybe since his contributions to the Walker Brothers’ final record, “Nite Flights,” in 1978 — that can be absorbed into the body and enjoyed as a thrill, without needing to learn a lot of other context about his aesthetic transgressions, without attending to the Myth of Scott. Rather than withholding musical or emotional payoffs, which has long been his way, there’s a sort of constant payoff here: no orchestra this time, but the steady electric-guitar and bass drones of Sunn O))) (simply pronounced sun), rich and distorted and marvelous.”

Quote

Empathy is the engine of innovation

“The best innovations — both socially and economically — come from the pursuit of ideals that are noble and timeless: joy, wisdom, beauty, truth, equality, community, sustainability and, most of all, love. These are the things we live for, and the innovations that really make a difference are the ones that are life-enhancing. And that’s why the heart of innovation is a desire to re-enchant the world.”

https://hbr.org/2015/06/you-innovate-with-your-heart-not-your-head