Sankai Juku. Hope to see them perform one day.
“The underground has historically been a place where artists and musicians hone their craft before emerging onto the mainstream, however in today’s age, where the term Hip-Hop can mean a variety of things to a variety of people, it has become a subgenre of its own, a place some artists choose not to leave… But rather remain, perfecting their craft forever.
Yugen Blakrok has been on the South African Hip-Hop scene for the last decade or so. Originally hailing from the Eastern Cape, and after featuring on various projects throughout SA, she began rocking mics in Johannesburg in 2007 in a crew called Recess Poetry, which quickly gained a strong following throughout JHB…”
Photography by Christoffer Relander:
“In this project I have realized a childish dream. I play with the idea of being an ambitious collector; conserving my environments into a large personal collection. Most landscapes are from where I grew up, on the countryside in the south of Finland, where my roots still lie. Separation anxiety to my childhood is simply what absorbed me into this project.
With analog multiple exposures I’m able to manipulate my photographs in-camera—this project was not created or manipulated in an external software such as Photoshop.
Very cool result! Read more here.
Cotton Road moves “from dirt to shirt,” exploring every step of textile production from cotton farms in South Carolina to factories in China.
Really enjoyed this documentary film exploring the cotton/clothing manufacturing supply chain, and the people employed at different stages in the process.
Akira vibes. I’d watch a full length film of this.
“Zosha Di Castri and David Adamcyk’s Phonobellow, an hour-long new music theater work for five musicians, electronics, and large-scale performative installation, is the result of this collaborative process. Taking as their starting point the year 1877, Di Castri and Adamcyk explore how Muybridge’s high-speed camera and Edison’s phonograph have marked human perception. Via a heterogeneous assemblage of music, images, recorded texts/sounds, electronics, movement, sculpture, and lighting, the piece seeks to capture how deeply these inventions reverberated with people at the time, and continue to reverberate to this day.”
I saw this the other day and it was an experience – exciting, energetic, and unpredictable. Composed by Zosha Di Castri and David Adamcyk, performed by the International Contemporary Ensemble. More information here.